The Day the Fish Came Out

It's not nice to fool Mother Nature!
The plot for this 1967 film builds on an in-flight collision in 1966 in which four American nuclear bombs were briefly lost in coastal waters off Spain, causing so much hullabaloo that future flight crews faced with ditching their nuclear cargo were told to do so over isolated dry land whenever possible to facilitate secret recovery.

So when an Air Force plane has to ditch its cargo of two nuclear bombs and a mysterious armor-plated box called "Q" just before the plane plunges largely unseen into isolated Mediterranean waters; the two flight crewmen (navigator Tom Courtenay and pilot Colin Blakely in a hilarious, bickering odd-couple relationship) dump their nuclear cargo via parachutes over a fortuitously near-by dry, sun-drenched, treeless, rocky Greek isle inhabited by only a small coastal fishing village and several inland goat farmers. Though the crew are presumed killed in the crash by their superiors, they survive without injury and manage to swim ashore naked and...

Flop Film Takes You By Storm
I never caught "The Day the Fish Came Out" on television and the critical panning it received upon release in 1967 as some catastrophic waste indulging a gifted young director prevented me from trying harder to see it but still a tad intrigued. The director (who had had an AAN for "Zorba the Greek"), Michael Cacoyannis could recoup his critical damage by this new release by the new 20th Century-Fox Cinema Archives, the 20th version of Warner Archive in MOD DVD-R editions. They did not restore "The Day the Fish Came Out" and it does look raw, almost amateurish with no extras and a few blemishes and scratches. Cacoyannis wrote, produced and directed, and even did the costumes which are supposedly futuristic set ahead in 1972 (remember "Camille 2000's" costumes?"). These have the influence of the films of Fellini from the sixties and today seem to find an acceptance on the screen as neither too "effete" or too "awful." The setting in the future of the story in 1972 A.D. gives us an...

Classic movie of that era
Loved this movie when I saw it when it first came out. Just as good today as then ..a classic of its time.
'Always loved the soundtrack and still do.

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About a Boy [HD]

Actual Real Film
Heartwarming studio chickflick about Hugh Grant bonding with a little boy...this description didn't send me rushing to the cinema, despite the Nick Hornsby brand. But shockingly, About a Boy isn't a standard Hollywood prefab romcom or sentimental twaddle -- it's an actual film, sharply written, evocatively directed, beautifully acted.

The caustic British wit immediately sets the film apart from its studio comedy brethren -- its actually, frequently funny. The characters feel real, lived in. The superb dual voiceover is potent rebuke to those still peddling the convential wisdom that vo's are "uncinematic" (if this includes you you're immediately assigned "Election" and "Adaptation"), working comfortably inside our protagonists' heads without any dreaded 'literary' staining, bringing their vibrant inner lives to comic life.

So instead of the false life lessons and maudlin sentimentality films of this sort so often trade in, we get a moving, witty story...

One of the best films of the year.
It frightened me, at first, to hear that directors Chris and Paul Weitz, the guys who made "American Pie," were behind the film adaptation of Nick Hornby's novel. Though Hugh Grant was born to play the self-centered, shallow, immature man urged to grow through his relationship with a young boy in need, I forgot about the occasional moments of warmth in "American Pie" and doubted the Weitzes were capable of conveying the heart and seriousness necessary to make this film. I was wrong.

Matching moments of true horror involving attempted suicide at the film's beginning with Grant's continuing snarky, sarcastic voiceover showed that the directors had found the precise balance necessary to make the film work. It's a heartwarming, occasionally edgy film about the human need for others and about how a family - whether one we're born into or one that we create for ourselves - can help us grow.

Nicholas Hoult, as Marcus, gives a great performance, and Toni Collette, as...

One of the best films of 2002
I was hesitant on seeing this, partly because I had never heard of it or seen reviews of it on TV before, but my mom reluctantly dragged me to the show to see it. Was I surprised.

Hugh Grant plays an amazing character, the male version of Bridget Jones, or so I think. His commentary throughout the movie at random points made me laugh, and I love the "SPAT" meeting. The boy in the film did an amazing job, and the bond that forms between him and Will is great. After I saw the movie, I bought the book, and both were equally impressive. No one could have played this role better than Grant, he's perfect for it. This is probably one of his best films, if not the best.

When it comes out on DVD, I strongly suggest getting it, or rent it first, and I guarentee you will love it. I was hesitant on seeing it, and I was extremely surprised and pleased!!!

The soundtrack is also amazing, done by "Badly Drawn Boy". I suggest getting it if you're a fan of the film, because every song in the...

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Hellboy II: The Golden Army [HD]

Hellboy II - Back And Better Than Ever!
You know you're not watching a formulaic comic book film when one of the highlights is a drunken rendition of "Can't Smile Without You" by Hellboy and Abe Sapien. "Hellboy II: The Golden Army" is a more confident, assured outing than the first film and while it does not draw from Mignola's comics for its plot it is perhaps better off for it, lacking the usual burden of comparison and expectations. "The Golden Army" is more fantastical than the first film and is less sci-fi oriented but this is the sort of thing Del Toro does exceptionally well as a writer. He never lets the fantasy become the focus of the film, instead concentrating on characters and delivering action scenes that can only be described as, forgive the crass immaturity, kickass.

As entertaining as many comic book-to-film adaptations are it is a rare event when one can call one of these films a true artistic achievement. I am convinced without a shadow of a doubt that Guillermo Del Toro's entire career has...

Let me remind you why you once feared the dark
Guillermo Del Toro has become the new master of dark fantasy -- first with the quirky clockpunk "Hellboy," then with the Oscar-winning "Pan's Labyrinth." Not to mention forthcoming travels to Middle-Earth.

So you know he has the skills to pit Mike Mignola's scarlet anti-hero against an army of fairies and elves, and not make it silly. Instead, it's a spectacular dark fantasy full of humor, action, quirky appeal, romance, and some truly astounding special effects. But what really shoves this movie over the top is Del Toro's brilliant direction, and the stunning performance by Ron Perlman.

Decades ago, Professor Broom (William Hurt) told a small Hellboy a yuletide bedtime story about the Elf King Balor and his unstoppable Golden Army, and how the crown that controls the Army was split into thirds and divided among fairies and humans.

Well, you can't really expect that kind of power to never be revived.

Cut to current day. Hellboy (Perlman),...

Give `em Hellboy!!
Fans of dark fantasy movies will definitely like this one. If you take Pan's Labyrinth and add more creatures, and then give it an injection of humor, and sprinkle some Hitchhiker's Guide to the Galaxy, some Fantastic Four, and a little Lord of the Rings, and last of all let Neil Gaiman put the finishing touches, you'll probably get Hellboy II or a reasonable facsimile thereof.

Short Attention Span Summary (SASS):

1. Humans and mythical creatures are at it again
2. One crown rules an indestructible golden army
3. Uneasy lies the head that wants to wear the crown
4. All Hellboy breaks loose after a visit from the tooth fairies
5. The Bureau for Paranormal Research and Defense sends a gasbag to lead the team into the bowels of New York City
6. Hellboy may be red and angry, but it's Liz (Selma...

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The Boxer [HD]

One of Day-Lewis' best...
This is a great film and I've watched it several times. The photography is stunning. The musical score is brilliant. The characters are believable and endearing. The film does not take sides except to say "Enough!" Enough bloodshed. Enough hatred. Enough poverty. Northern Ireland has had enough.

Daniel Day Lewis and Emily Watson give stellar performances. I saw Emily Watson in "Breaking the Waves" which I did not understand at all, but I did recognize a fine actress. I've seen all of Daniel Day Lewis' films--even his early releases. This is one of my favorite DDL films--a difficult choice as he has made so many excellent films. The supporting cast is composed of first class actors. The scenes are terribly realistic. I still jump when a bomb explodes early in the movie, and the boxing scenes are fabulous. (In the fifties I was a fan of Carmine Basilio, so I know what the real thing looks like.)

The contrast of stark, war-torn Belfast with...

One Boxer's Rebellion
It's odd that a film about such a volatile subject (Northern Ireland's "Troubles") should be so understated in its way, but Jim Sheridan's "The Boxer" is just that--despite the occasional explosion and political assassination. The trailers that I saw in theaters a few years back almost suggested one of those "lovers-torn-apart-in-a-world-gone-mad" films that we've all come to know and find suspect. But the tone of the actual film is really quite muted.

What makes "The Boxer" ring true is the very tentativeness of the relationship between Daniel Day-Lewis and Emily Watson's characters. One time teenage lovers, they have been separated for 14 years while Danny Flynn (Day-Lewis) served a prison term for unspecified political activity. Released now, at the age of 32, he wants only to be left alone and to resume his boxing career. To Sheridan's credit, the irony that the BOXER has, in fact, become a man of peace is not dwelled upon. Nor is...

Moody, Deep and Rewarding
I love Daniel Day-Lewis. His wounded slow burn as Danny Flynn, a man recently released from prison after more than a decade, returning to his old neighborhood and trying to escape the ghosts of his past but confronted by the woman he (still) loves, who has married and had a child and a host of friends still separated by the politics of war is a quiet revelation. While his attempt to revive his career as a fighter fizzles and his life is under constant threat, Danny makes the most of his situation by standing up against the opression and laws that have cost so many of his friends their freedom and in some cases, their lives. Emily Watson is note perfect as his former love interest and she brings a quiet dignity to her role as a single mother torn between devotion to her imprisoned husband, protecting her pre-teen son, and her resurging feelings for Danny. While many won't like the tone and pacing of this film, I find it entrancing and marvel at Day-Lewis vulnerable, quiet power. Superb!

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The Strangers (Unrated) [HD]

Easily the scariest movie I have ever seen.....
I recently had watched this movie, and I must say that without question this movie is the scariest, and creepiest movie I have ever seen. In fact it was so scarry that I slept all the lights on the last two nights, and I keep a baseball bat by my night stand.

I am not going to recap the movie ad nauseum the way some of the other reviews here have already done, however I will give a high level perspective of why this movie is so good at being scarry.

1. There are no ghouls, ghosts, vampires, and demons. The premise of this movie is litteraly one group of people taking advantage of other people.

2. The costumes used by the strangers were simple, and eloquent. Exactly the kind of stuff one could pick up at any party store or costume shop. I feel as though this added a whole other level of realism to the movie.

3. Overall creepiness of the type of harrasment the strangers inflicted on the kristen, and james.

Some negatives that I...

Noises Within, Noises Without
There are a few flaws in this otherwise successful film that is in fact as frightening as the trailer makes it out to be. Not being one for the constant barrage of thriller films (the 'Saw' Series, the endless vampire variations, 'I know what you did...', etc) this viewer hesitantly watched what could have been yet another exercise in blood and gore. But surprise! The story (based on a true incident in 2005 as outlined by an off camera narrator discussing the number of violent deaths in America each year before the film opens) is tight, credible, and deals more with the emotion of terror of the unknown than images of gore. Kudos to writer/director Bryan Bertino for finding the core of the macabre. And it is true!

James Hoyt (Scott Speedman) is driving his girlfriend Kristen MacKay (Liv Tyler) to the isolated summer home in the woods that James and his best friend Mike (Glenn Howerton) had earlier decorated with rose petals, candles and champagne in preparation for...

A movie about who can be the dumbest.
Not a terrible setup. Masked psychos terrorize a couple late one night in a large house nestled in the corner of a small, rich suburb. A bit slow to start and the characters aren't anything close to interesting, but the setup is decent and the atmosphere is good.

Problem? Everyone's a moron.

If you're a home intruder and the people at home have a gun, you're not going to keep attacking. No you're going to run the **** away and go to some other house some other night. If you're the guy being intruded upon and are sitting in the corner one night with a gun you're not going to go outside and play Elmer Fudd. No, you're going to sit in that corner and stay awake until morning when the suburb will be active. If you're the intruder watching the guy play Elmer Fudd with a shotgun you're not going to bull-rush him and succeed. No, you're going to be blown the **** away. And if you're some guy who just had his windshield smashed before your eyes and sees signs of...

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Fear and Loathing in Las Vegas [HD]

The critics were wrong again
I find it sad that much of the country bases it's movie selections on the opinions of hacks like Leonard Maltin. I can see why this wasn't a mainstream success due to it's waaaaaay out in left field mentality, but because of all the negativity this great film remains unseen by many. As people come around to the acting genius of both Johnny Depp and Benecio Del Toro (and they will), they will inevitably want to see their earlier works and then, finally, they will see what all the hype wasn't about.

Terry Gilliam absolutely NAILED Hunter's book. The visuals are incredible and alarming. The angles, strange and enticing. I heard that they filmed this movie without a script, just the book in hand. After reading the book, I believe trying to write a script for it could have severly dampened the impact.

Now for the drug use... If you are the type of person who realized that Fight Club wasn't really about the fighting, then you will also realize that Fear & Loathing isn't really...

Madness, Politics, Drug Use and Mean-Tempered Cops
This DVD finally gives one of Terry Gilliam's lesser-loved (but brilliant!) films the red carpet treatment. The commentary from Gilliam is crazed and passionate; Depp and Del Toro really show off their wit, charm, and intelligence along with producer Laila Nabulsi's back-stage insight, and the last commentary is a rather odd and screwball one from Thompson himself. I won't tell you a thing about the last commentary. You've got to buy this and check it out on your own. (Here's a hint: 'Screeee-ahhhh! Raaaaaaaagh!' *other assorted sounds*)

The second disc is crammed with some great goodies as well - Depp reads letters written to/from Thompson. There's a great BBC documentary showing HST and Ralph Steadman undertaking a trip from Las Vegas to Los Angeles. Another gem is a snippet from an audio-book recording of Fear & Loathing with Jim Jarmusch as Raoul Duke! All definitely worth it.

Fear and Loathing isn't just a drug movie (as all the extras on the DVD will reiterate over and...

Excellent performances by Depp and Del Toro!
It was upsetting to see the only review of this title was not a review at all but a complaint against amazon so I had to put in my two cents. This movie has some of the best performances from Jonny Depp and Benicio Del Toro and Terry Gilliam directs one of his finest films ever. Too bad this one was missed by audiences in 1998 when it quickly came and went from theatres after the first week. If you like Hunter S. Thompson and movies like The Big Lebowski, you'll want to make sure to add this item to your movie collection. The HD transfer alone is worth purchasing this version, but make sure to check out the Criterion DVD which contains interviews from Hunter S. Thompson as well as a full movie commentary that's as entertaining as the movie itself.

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Bruno [HD]

and he doesn't look a thing like Borat
I have to see Bruno more than once, most people probably do too. That's because Bruno is one of those rare movies where you're laughing so hard at some parts you know you're missing the next funny thing. As gay, Austrian fashionista and celebrity-wannabe Bruno, Baron Cohen continues his jaw-droppingly crass and outrageous stealth comedy antics. Purportedly, Baron Cohen has been beaten up while in character, so it only seems fair that he makes his audience laugh hard enough to hurt.

Of course the usual Baron Cohen caveat is in order: yes, its offensive, yes, its gross, yes, there is a LOT of nudity, mostly male. If any of this is not your cup of tea, that's dandy, no hard feelings. If you don't mind the occasional sight of literally bouncing balls in the name of comedy, Bruno is pure gold.

Post Borat fame has probably necessitated that more of this movie be staged, with at least some of the people (a talk show host, the driver of an oncoming car) in on the...

Laughed so hard.... but not for the easily offended
This movie is *clearly* for those not easily offended. It is shocking and hysterical, but I don't think I could allow my parents to go see it.

Sasha Baron Cohen's latest creation, Bruno, makes his way to America to become uber-famous any way he can. And he goes through lots of different attempts on his way. Acting, interviewing celebrities, guesting on talk shows, becoming straight, he tries many methods, each with it's painfully funny result. You'll love the Paula Abdul interview, particularly.

The interactions with people are wonderful, and you will be appalled at what some parents will do to get their children into show business. Just stunning.

There are a lot of shocking/uncomfortable funny moments (be prepared for gratuitous male nudity), and I am no sure how they will hold up for repeated viewings, but in a crowded theater, it was a scream. The ending is worth the buildup, and stick around for the closing song.

I laughed so hard...

"I want to become the most famous Austrian superstar since Hitler!"-Bruno
After the movie Borat in 2006 Sacha Baron Cohen returned to the big screen in 2009 with another of his characters, gay Austrian (you read that right, it's not Australian) Bruno. 19 years old Bruno is known for hosting what is said to be the most famous German speaking television show outside of Germany "Funkyzeit mit Bruno", a show about fashion and for his flamboyant style. Bruno is doing well in the world of fashion but when he gets fired, his assistant leaves him and his lover dumps him he decides to leave for America in order to become famous by any means.When he comes to America Bruno tries a talent agency to get to stare in a big Hollywood movie and become famous, he unsuccessfully tries to starts a new television show, he does an interview, interviews people and he even tries to become straight amongst other things. He will do anything to get famous and is not ashamed of it which will end up in hilarious situations . Bruno to me was really funny, there were some moments were I...

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